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"My work, as a designer and artist, seeks to
showcase some of the earth materials that I love....in particular, the
rare and unique stone of Australia.
The different stones featured in my work are
extremely special. These rare earth materials are quarried from vast and
remote terrains and represent the finest examples of Australia's
geological heritage and mineral wealth. Similarly to the native flora and fauna of this
ancient continent, the stones resonate a distinctively Australian
character. Moreover, we are reminded of Nature's bountiful treasures.
The immediate perception of beauty of the earth
media is made even more compelling when the geological age is revealed.
The reference of time provides a quantified value that promotes a strong
sense of child-heart wonder... a greater awareness of and respect for our planet.
A sense of awe and reverence underpins my design
sensibilities - that is, my personal aesthetic and spatial
understanding are qualified by the search to find clean and simple
forms/lines that respect the ancient materials and allow them to speak
for themselves.
On the technical side of my design approach, I
really enjoy trying to find innovative applications for and variations to traditional
stoneworking techniques - such as inlay, lapidary, palladiana and
stonemasonry. My work has also been informed by my
travels in Asia and beyond...particularly by the art and craft of Japan, India and Italy.
My favourite artists and designers include Isamu Noguchi,
Ysbrand Brouwers, Frank Gehry, Barbara Hepworth, Sidney Nolan, Antoni
Gaudi and Henri Gaudier-Brzeska.
I really believe that every contribution to the celebration of
nature is a deposit into the fund of responsible individual and
collective custodial care of the planet/the preservation and conservation of it's riches
for future generations.
Urgent ecological issues / Mother Earth's malaise beggars Reason and petitions the conscience of humanity; that
people, commerce and governments remember to respect our planet. This is
central to the works message and meaning."
Robert Johnson
robert_jjohnson@yahoo.com

:: About the artist & works ::
Sydney designer and stone artist Robert Johnson's work features ancient
and unique stone from across the continent of Australia.
A diverse range of indoor / outdoor furniture, functional objects and
sculptures showcases such beautiful stones as Primordial Rock, Zebra
Stone, Chrysoprase, Boulder Opal, Tiger Iron, Print Stone, Liesengang
Weather Rock, Azurite, Jasper, Sandstone and Granite.
Johnson draws inspiration from the stone he uses and enthuses that
“Australia is the oldest continent. It boasts a wealth of distinctive
flora and fauna and has an abundance of gemstones and geological
treasures which are ancient, unique and beautiful”.
:: The Stone / Earth Media ::
An absolute emphasis is placed on featuring the finest examples of unique
Australian stone and rare earth materials. The primordial rock used in
some of Johnson’s sculptures is over 1.2 billion years old. It is dated
by the fossilised algae and plant material identifiable in the rock as
white particles. Strikingly beautiful and resonating an ancient
continent's geological character & treasure, this riverine siltstone
formed during the geological dawn is unique to the Eastern Kimberley
region of north Western Australia. Over fifty colour variations have
been classified.
Another of the amazing rocks featured in several of Johnson's works is
Zebra Stone (Siliceous Argillite, an indurated silt-stone). Existing
deposits of this rock are extremely limited and may soon be lost
entirely beneath the rising waters of Lake Argyle. Formed in the
Precambrian Period 600 million years ago, this beautiful stone continues
to fuel international geological debate because of its unique mineral
separation, which creates the striped patterns that resemble a zebra.
Similarly to Primordial Rock, Zebra Stone is found nowhere else on
earth.
Also featured in various of Johnson's works is Boulder Opal from
south-western Queensland. Formed in the Tertiary Period 15 to 50 million
years ago it is an ironstone featuring veins and fissures of opal. A
very slow process of water reacting with silica forms the opal. This
beautiful stone springs to life when illuminated.
A range of the highest quality Australian sandstones and quartz sandstones from across the
continent are perennial favourites of Johnson and continue to be
featured in his works. These stones are very durable, with fabulous
colour and grain. Other unique Australian stones employed in Johnson's
works are Liesengang Weather Rock, Chrysoprase, Print Stone, Tiger Iron,
Azurite and Granite.
Fascinating too are the range of native Australian timbers showcased in
some of Johnson's pieces. Australian Grass Tree ( Xanthorrrheoa
australis) increases in height at a rate of twelve inches per one
hundred years. Timber burls such as those from Black Butt (Eucalyptus
pilularis), Rosewood (Dysoxylum fraseranum) and Jarrah (Eucalyptus
marginata) are prized by Johnson for the inherent sylvan warmth of their
surfaces.
:: Curriculum Vitae / Exhibitions ::
2008-2009: Works exhibited at
www.artquid.com Paris based online
gallery. Video introduction "Robert Johnson, Stone Works" uploaded onto
www.youtube.com
2008: Works exhibited at “Borg
Galleries”. Production commenced on major work, “Primordial Obelisk”.
Initial sponsorship of Florence Biennale 2009 &/or next project by
Emotum Australia.
2007: Returns to Sydney, Australia as permanent base
and residence.Works placed on exhibition at Gallery 460 Sculpture Park,
Gosford. March 2007, Internal Committee of Florence Biennale (Italy)
extends invitation to Robert Johnson to exhibit his work at the Biennale
Internazionale dell' Arte Contemporanea.
2004 - 2006: Research and design new range of stone
works. Collaborates with designers, artists and artisans/craftspeople in
the Philippine archipelago to produce a tropical hardwood (Molave, Narra,
Philippine Mahogany) range of furniture.
2003: 'Stone Bridges' exhibition, Cultural Center of
the Philippines (CCP), Manila. Jan.30-Mar.10. Ten of Johnson’s works
were displayed from the 30th January 2003 through to 10th March 2003.
Five functional works and five sculptures featuring unusual and
innovative examples of stone inlay, carving and palladiana. Also on
display were a dazzling array of Australian ancient rare earth
materials. "Stone Bridges", Robert Johnson Exhibition officially opened
by Australian Ambassador to the Phillipines, Hon. Ms. Ruth Pearce.
Editorial feature given to "Stone Bridges" CCP exhibition in national
print media - "Manila Bulletin", "Philippine Daily Enquirer", "The
Philippine Star", "People Asia Magazine", "Philippine Tatler" Magazine.
ABS-CBN national TV coverage & interview w/ Robert Johnson. Ninety
minute lecture by Johnson delivered to senior year University of
Philippines (UP) students at CCP.
The "Wandjina Ukit" sculpture is on permanent display at the new
Australia Centre (in the newly located Australian Embassy) in Manila.
2000 - 2002: Research, design, source materials and
fabricate 10 works for 6 week major exhibition at Bulwagang Fernando
Amorsolo Gallery, Cultural Center of the Philippines (CCP), Manila.
Works feature Boulder Opal, Zebra Stone, Primordial Rock and Australian
Sandstones.
Sponsors: A 28 page (plus cover) catalogue of exhibition produced and
sponsored by Macdonald and Masterson, Moirs Paper, Campbell Murray
Creating (film), and Allkotes. Australian embassy, Manila. "Traders
Hotel", Manila.
1999: Works placed on exhibition at
Gallery 460 Sculpture Park, Gosford. Catalogue for Customs House
exhibition ´98 awarded silver medal at 16th National Print Awards..
Sponsorship for design and print of next project/exhibition catalogue
confirmed ($10,000) by Macdonald and Masterson. Sponsorship confirmed by
Italstone ($5000) towards cost of the next project/exhibition.
1996-98: Design, source materials and fabricate 13
works for 4 week major exhibition at Object Galleries, Custom House,
Circular Quay. Works feature boulder opal, chrysoprase, zebra stone,
primordial rock and helidon sandstone.
Sponsors: A 24-page (plus cover) catalogue of exhibition produced and
sponsored by Macdonald and Masterson, Raleigh Paper, Graphus film and
Nova graphics. Italstone, Australia ($5,000)
1995: Works exhibited at Gannon House Gallery, The
Rocks.
1994: Works marketed through "Stone
Age" Newtown.
1992: Travels to Marlborough,
Queensland, to source chrysoprase.
1990: Travels to Quilpie, SW
Queensland, to source boulder opal. Establishment of own studio. Design
magazine editorial feature in "Interiors", "Australian Home Beautiful".
1990´s : Establishment of national
sourcing networks. Increased awareness and acknowledgement of Australian
stone. Explore stone-to-stone inlay and palladiana.. In addition to all
stone constructions, designs feature wood, metal or glass in combination
with and ultimately in celebration of, the stone component.
1989: Major Design magazine editorial
feature in "Interior Design", "Corporate and Office Design", and "Good
Weekend" (SMH).
1987: Visit Taj Mahal, study
traditional stone inlay at Agra.
1986: Work marketed via retail outlets
such as "Exclusivo Emporium", Leichhardt.
1980´s: Design focuses on stone. Robert
Johnson's work and the work of a small group of closely associated and
collaborating artisans is produced under the moniker of "Flexible
Granite". The body of work, all stone construction, celebrates the
substance of stone across a diverse range of indoor/outdoor furniture,
functional objects and ornaments.
1970's: Design and construct internal
and external gardens in Sydney, utilising a diverse range of materials -
sandstone, bluestone, bushrock, slate, granite, marble and travertine.
Travel extensively in Asia.
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